Wednesday, June 27, 2018

Coming to America



INDEPENDENCE DAY: REFUGE AND HOPE

As the immigration debate rages on, families from all corners of the world continue to seek a brighter future in the United States. Much like my own family.
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Pallos and Spear families
My dad's grandparents arrived in New York City from Budapest, Hungary, in the early 1900s. They settled on the East Coast, later moving to California. Their only son (my grandfather Charles Pallos, Jr.), was a classical musician, conductor and arranger in New York and Hollywood and worked with Latin bandleader Xavier Cugat among other notables. Charles married Elizabeth Spear in the 1930s. My grandmother was a talented gardener, musician and writer.

The Spear family settled in Ohio via Germany in the mid-1860s. By the 1930s, Elizabeth's family was in the furniture business, with showrooms in New York and Pennsylvania. Dad Vic was born in Long Island in the 1945, and the family of four (plus assorted family pets), moved to Los Angeles in 1947. California brochures promised year-round sunshine and clean air (!).

Pallos family (1950s): Aunt Elza, Aunt Rose and my great-grandparents Rose and Charles.

Spear & Co., New York City (1930s), located near the Empire State Building.

Grandmother Elizabeth, in her Los Angeles garden (1950s).


Dad Vic with dog Penny the airedale terrier (1950s Los Angeles). Redheads!

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Church and Martin families
My mom's family surname was Church. The Church family settled in Norfolk, Virginia, after arriving from England in the 1700s. Fast-forward many years to my great-grandfather, U.S. Army Captain Walter Hanbury Church, a Virginia Volunteer who served in the 71st regiment during the Spanish-American War. He married Nellie Sharpley of Stockton, Maryland in 1903, and had four children. Their only son, my grandfather Marshall T. Church, was the first Virginian to earn the rank of Eagle Scout.

Esther Chaney Martin, of Columbus, Ohio, my maternal grandmother, had Irish and English ancestry, red hair and a very droll wit. Esther was adopted by the Martin family in an era of "closed adoptions," so we are unsure about her birth family. In the 1920s, Esther attended the Ohio State University and met Marshall. Smitten with his good looks, lively intelligence and Southern charm, she ditched her Navy officer fiancé and married Marshall instead. Scandalous!

Their first child, Carolyn, was born in 1929. My mom, Barbara, was born in 1940 when Esther and Marshall were living in Panama City, Panama. My Great Aunt Frances, who lived with the family for several years in Panama, remembers the couple dressing "to the twelves" for parties at the club, going sailing, playing golf, and enjoying the "high life" as expatriate Americans.

Marshall, a ceramics engineer and businessman, operated Panama Clay Products during the early 1930s through mid-1940s. The company produced red clay roofing tiles for industry. When he discovered his business partner was a Nazi sympathizer, he and Esther moved the family to Texas in 1944. Marshall co-founded Alamo Pottery Co. in San Antonio, which produced sanitaryware and a well-designed, durable line of art pottery with rich, beautiful glazes. A terrific art book about Alamo Pottery was published by N. Perryman Collins and is an excellent reference and overview of the company: Read a book excerpt here.

A few Church family photos and announcements are below:


Great-grandfather, Captain Walter Hanbury Church (circa 1898).



Grandfather Marshall Church with daughter Carolyn (circa 1930).

Grandmother Esther Martin Church with Carolyn (early 1930s).


A few of my Alamo Pottery pieces with beautiful glazes (1940s).


Thank you to my cousin Teri Racette Hall for providing Church and Sharpley family photos, clippings and background information. Thanks also to my aunt Bette Rowe Pallos and great aunt Elza Pallos Gehring for providing photos of the Pallos and Spear families. Finally, thank you to my cousin Jon Spear for information on Spear & Co.

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Time magazine: Welcome to America
Time (7/2/18) is unsettling and bold. Cover features compelling design and the "rule of thirds." Look at all that negative space... The near absence of words adds to the drama. Yes, the cover is manipulative. But it certainly jumps off the shelf (or screen!). 

View an interview with Getty Images photographer John Moore HERE.


Time magazine, photo of Honduran girl by John Moore (2018).
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About us:
Emilie Pallos Graphic Design is a Los Angeles-based boutique design studio serving clients across all industries, from the arts to businesses of all sizes and specialties.

Contact Emilie about creative projects for business: print and website design, publication design, stationery and announcements, corporate identity, signage, and marketing communications. Office (818) 242-9055. E-mail us here.

Good design is good business.

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